![]() Comparable artists would include Cece Winans. Even those songs recorded with choirs and other traditional gospel instruments, where Adams does shout and get sanctified, seem slightly reserved when compared with gospel artists like LaShun Pace or Vicki Winans. ![]() Many of the ballads showcase Adams’ control over the powerful voice she commands. Although theses errors takes away from the production quality of the CD, as these two tracks are not the only ones mislabeled, the songs that appear in their places are still representative of the power and breadth of Adams’ vocal career.Īdams, unlike many traditional gospel singers, maintains a very reserved yet powerful demeanor in most of her songs. Where the listener should hear “Praise Your Holy Name,” they will instead find “Fragile Heart.” Buyers who are disappointed that “Open My Heart,” which made it to #10 on the R&B charts in 1999, is not contained in the compilation, will be pleased to learn that it is included on the track listed as “The Battle Is the Lord’s.” Someone new to Adams’ music would probably never notice these mistakes unless they were looking at the actual liner notes while listening to the album. However, tracks six and seven on disc two are mislabeled (at least on this review copy). Adams cites Nancy Wilson and Stevie Wonder, among other big names in the aforementioned genres, as her inspiration.Īt first glance it appears as though the collection does not feature any of Adams’ crossover hits or gospel-themed songs about love and loss. When listening to the CD it is obvious that her major influences come from jazz and R&B. The CD cover bears witness to this in that it looks more like something one would expect from Phyllis Hyman or Whitney Houston. Even before Kirk Franklin, she embraced the secular, not only in her delivery but also in her dress. Many of the songs featured on this two CD collection are ballads that do not sound like anything you will hear coming out of the choir stand on Sunday morning.Ī former school teacher and model, Adams began her recording career in 1987. Working to bring a gospel message to churchgoers as well as those that do not attend religious services, The Essential Yolanda Adams shows that her roots lie not only in the gospel music tradition but also in R&B. J Scott and KG3 (EX).Yolanda Adams stands as one of the first in gospel music to merge the secular and the sacred, and to break out of the traditional image of a gospel singer in her style of dress and delivery. Choose Up Featuring Pantasy Reighn (Ex). ![]() Killa Tay, KG3 and Westcoast Stone (EX).mp3 For the curious, The Essential Kirk Franklin also provides a very solid introduction to one of the most dynamic artists gospel has produced since Andraé Crouch. While fans of Franklin will more than likely have these tracks from his albums, hearing them sequenced this way makes for an enlightening experience. The set also comes with an historical liner essay by Bil Carpenter, and sells for a very attractive budget price. There are 28 completely remastered cuts in all, spanning 18 years, totaling two-and-a-half hours of music. 1, and includes “Revolution” from Nu Nation Project, “Let Me Touch You (Live)” from 2001’s Whatcha Lookin’ 4, as well as “I Am” and the title track off 2011’s Hello Fear to bring things up to date. Disc two also relies on tracks from those offerings and includes the funky “Looking for You,” which contains a sample from Patrice Rushen’s stepper “Haven’t You Heard,” delves more deeply into cuts from Songs for the Storm, Vol. The track that started it all, the stellar single “Why We Sing” from 1993’s Kirk Franklin & the Family, also appears on disc one, as do cuts from Hero (an album that featured guest appearances by Rance Allen and Stevie Wonder) and Songs for the Storm, Vol. The accents on sopranos, altos, and contraltos weave through the beat-heavy Spanish guitar arrangement, and genuinely stir the listener - no matter her or his belief system. As if to showcase just how wide-ranging Franklin’s music is, the album opener - a live “He Reigns/Awesome God (The Medley),” from his 2002 album The Rebirth of Kirk Franklin - weaves together hip-hop, gritty contemporary soul, contemporary gospel, and the norteño and conjunto sounds Franklin grew up with on the radio and in the streets of Riverside, Texas. #The essential kirk franklin album covers fullSony Legacy lays out this eclectically sequenced double-disc comp full of singles and album tracks from all of his Gospocentric recordings. In addition, Franklin is a true crossover artist: his recordings have consistently charted on the pop, R&B, and gospel charts. He sold over seven million records between 19, and that total continues to rise. It’s almost unthinkable that contemporary gospel star Kirk Franklin hasn’t had a greatest-hits offering before now.
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